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The varied forms of Leonard Bernstein's musical creativity have been recognized and enjoyed by millions. These lectures, Mr. Bernstein's most recent venture in musical explication, will make fascinating reading as well. Virgil Thomson says of the lectures: "Nobody anywhere presents this material so warmly, so sincerely, so skillfully. As musical mind-openers they are first class; as pedagogy they are matchless".
Mr. Bernstein considers music ranging from Hindu ragas through Mozart and Ravel, to Copland, suggesting a worldwide, innate musical grammar. Folk music, pop songs, symphonies, modal, tonal, atonal, well-tempered and ill-tempered works all find a place in these discussions. Each, Mr. Bernstein suggests, has roots in a universal language central to all artistic creation. Using certain linguistic analogies, he explores the ways in which this language developed and can be understood as an aesthetic surface. Drawing on his insights as a master composer and conductor, Mr. Bernstein also explores what music means below the surface: the symbols and metaphors which exist in every musical piece, of whatever sort. And, finally, Mr. Bernstein analyzes twentieth century crises in the music of Schoenberg and Stravinsky, finding even here a transformation of all that has gone before, as part of the poetry of expression, through its roots in the earth of human experience.
These talks, written and delivered when Leonard Bernstein was Charles Eliot Norton Professor of Poetry at Harvard University, are the newest of the author's literary achievements. In addition to a distinguished career as conductor, pianist, and composer, Mr. Bernstein is the recipient of many television Emmys for the scripts of his Young People's Concerts, Omnibus programs, and others, and is the author of The Infinite Variety of Music and The Joy of Music, for which he received the Christopher Award.
- Sales Rank: #114340 in Books
- Brand: Brand: Harvard University Press
- Published on: 1981-04-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 9.25" w x 1.25" l, 1.76 pounds
- Binding: Paperback
- 440 pages
- Used Book in Good Condition
Review
Bernstein on the page turns out to be as vital and evocative as Bernstein in the lecture hall. (The New York Times Book Review)
At all levels this is an oustanding contribution to thinking and talking about music. (Composer)
The Bernstein lectures were...performances of great wit, charm, and virtuosity...They should be read, considered, argued with and profited from. (The Music Review)
Explores the nature of the musical experience with incisive brilliance. It is a book that should be read and treasured by anyone--professional, amateur and layman--with an interest in music. (Newsday)
From the Back Cover
Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In this re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Schoenberg, and Stravinsky.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Norton Lectures
By Mary Shelly
Lenny scores again with this insightful book based on the Norton lectures he gave at Harvard College. He was a graduate of Harvard and studied with Walter Piston among others. Together with Noel Chomsky, Bernstein has made music understandable to the masses. His lectures show a very detailed and careful analysis of musical structures and the nature of poetic vagueness and stretching tonal limits. I would not only recommend this book, I would call it a necessity to the serious music student.
6 of 7 people found the following review helpful.
Unanswered Questions
By Roger M. Longo
There is little to say that has not already been said. These lectures are classic because of their multi-disciplinary focus. Simiply put, they are an integration of diverse material that fosters an awareness of the larger picture. In the final analysis all intellectual disciplnes are arbitrary in terms of lines drawn in the sand. Ultimately they all come together as a whole. The Norton Lectures underscore this theme as well as any piece written in the 20th century.
0 of 1 people found the following review helpful.
Love it!
By Felicia
The best book I read throughout my masters!!
It gives a very interesting insight on Music Universals, not to mention shows how beautiful Bernestein's mind was.
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