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[J360.Ebook] Download PDF Jazz Guitar Lines Of The Greats, by Steve Briody

Download PDF Jazz Guitar Lines Of The Greats, by Steve Briody

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Jazz Guitar Lines Of The Greats, by Steve Briody

Jazz Guitar Lines Of The Greats, by Steve Briody



Jazz Guitar Lines Of The Greats, by Steve Briody

Download PDF Jazz Guitar Lines Of The Greats, by Steve Briody

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Jazz Guitar Lines Of The Greats, by Steve Briody

Transcribed by Steve Briody. 675 transcribed licks and phrases from 5 of the greatest Jazz Guitarists of all time; Tal Farlow, Pat Martino, Wes Montgomery, Joe Pass, and Jimmy Raney! The phrases are separated into five sections; Major lines, Minor lines, Major ii/V7/I lines, Minor ii/V7/I lines, and Dominant 7 lines. These 'textbook' jazz phrases are perfect for all instruments, not just guitar. Over 100 pages. Spiral bound for easy opening.

  • Sales Rank: #623523 in Books
  • Published on: 2012-01-17
  • Original language: English
  • Binding: Spiral-bound
  • 100 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
NickES345
By Nick
Normally I don't buy "licks" books, but I took a chance with this one and was very pleasantly surprised. In a nutshell, here are the pros and minor cons (from my perspective):

Pros:
* the licks are real transcriptions, not simply 'in the style of' licks found in many books
* licks are organized into minor, major, dominant, minor ii-Vs, major ii-V's with chords above each bar to help your analysis
* there are many licks (over 600?), each ascribed to a particular player (Tal, Pat, Wes, Jimmy R., Joe P.)
Cons:
* no references given for each lick so you can't go to the 'source' to hear the nuances of how a lick is played
* no analysis of licks

There are several licks per page in musical notation only (i.e., no TAB). Personally, I like omitting the TAB - it forces me to read and to experiment with different positions. I try to focus on 3 or 4 licks per day, with an emphasis on analyzing each lick to 'discover' what the player was thinking - how do the starting/ending notes relate to the chord?, what are the arpeggio shapes underlying a lick? - etc. I use the book as a way to wind down my practice sessions - a few nuggets at the end of practice is a nice way to finish. My best experiences have come with licks that I couldn't readily explain ('why did he play *that* over a D minor7?') - forcing me out of my comfort/knowledge zone and learning what else is possible.

Over the years I have transcribed, and then forgotten, innumerable licks - so rote memorization of licks wasn't my goal in buying this book. However, deconstructing licks into their core components (underlying arppegios/shapes, scale choices, starting/ending notes) is something I *can* remember and use in my solos. And, instead of me sitting down and randomly listening to dozens of albums by these artists, the author has saved me/us a lot of time by doing this and writing out transcriptions of licks that caught his attention as a professional player, including the key and chords over which the licks were played (essential for one's analysis).

Overall, this is one of the more useful books I have bought (and I've bought almost all of them since the 70s!). I really appreciated the author's effort in amassing these licks.

2 of 2 people found the following review helpful.
Beautiful jazz lines!
By Fernando
For me it is being very useful to be able to imitate the greats. A better learning alternative would be doing your own transcriptions but this is just faster :)

The only thing I'm missing is the references to the songs/records from which the lines have been extracted from.

2 of 2 people found the following review helpful.
Lots to work with
By dspurc002
Very comprehensive, although licks can be difficult to understand in context of song. Otherwise, very satisfied with product. Would recommend to others.

See all 4 customer reviews...

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